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Wednesday, May 6, 2020 | History

1 edition of Performing authorship found in the catalog.

Performing authorship

Cecilia Sayad

Performing authorship

self-inscription and corporeality in the cinema

by Cecilia Sayad

  • 127 Want to read
  • 22 Currently reading

Published .
Written in English

    Subjects:
  • Motion pictures,
  • Philosophy,
  • Auteur theory (Motion pictures)

  • Edition Notes

    Includes bibliographical references, filmography, and index.

    StatementCecilia Sayad
    SeriesTauris world cinema series, Tauris world cinema series
    Classifications
    LC ClassificationsPN1995.9.A837 S293 2013
    The Physical Object
    Paginationxxvi, 181 pages
    Number of Pages181
    ID Numbers
    Open LibraryOL26920411M
    ISBN 101780760051, 178076006X
    ISBN 109781780760056, 9781780760063
    OCLC/WorldCa829056141

    "Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically .   Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour. DOI link for Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour. Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour bookCited by: 6.

    Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity--in film, in the marketplace, in society, in culture. Essays range from the auteur theory and "Casablanca" to Oscar Micheaux, from the American avant-garde to community video, all illuminating how . Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour - CRC Press Book Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to .

    Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central. Performing Authorship examines the authors’ desire to become physically present, and for the most part as self-expressing figures” (xx). In her book, Sayad refers to various modes of performing authorship, through selected case studies, which range from Orson Welles to Jean-Luc Godard, Agnès Varda, Woody.


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Performing authorship by Cecilia Sayad Download PDF EPUB FB2

Performing Authorship in Eighteenth-Century Periodicals discusses the English periodical and how it shapes and expresses early conceptions of authorship in the eighteenth century.

Unique to the British eighteenth century, the periodical is of great value to scholars of English cultural studies because it offers a venue where authors hash out, often in extremely dramatic terms, Cited by:   Performing Authorship.

Strategies of "Becoming an Author" in the Works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer.

Sonja Longolius. Annovi's is the first book to assess Pier Paolo Pasolini's multidisciplinary production across a variety of media. Drawing on theories of authorship and authority, queer theory, and theories of spectacle and performance, the book probes Pasolini's creation of an ever-shifting, reactive and rebellious authorial : Gian Maria Annovi.

In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance Annovi connects Pasolini's notion of authorship to contemporary radical artistic.

Pier Paolo Pasolini. Performing Authorship. Gian Maria Annovi Annovi's is the first book to assess Pier Paolo Pasolini's multidisciplinary production across a variety of media.

Drawing on theories of authorship and authority, queer theory, and theories of spectacle and performance, the book probes Pasolini's creation of an ever-shifting. Annovi's is the first book to assess Pier Paolo Pasolini's multidisciplinary production across a variety of media.

Drawing on theories of authorship and authority, queer theory, and theories of spectacle and performance, the book probes Pasolini's creation of an ever-shifting, reactive and rebellious authorial : Gian Maria Annovi.

The book examines the question of authorship in Pasolini's work, that is, the centrality of what Annovi sees as a radical, transgressive and sometimes militantly "queer" authorial persona, self-consciously created and performed by Pasolini in and through each of his works in several different media (fiction, poetry, theater and performance.

With Performing Authorship: Self-Inscription and Corporeality in the Cinema, Cecilia Sayad draws on performance and phenomenological theories to explain her multifaceted concept of “performing authorship.” Central to this is the film director’s physical body and its presence within and outside the frame.

InPier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression.

Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia. Annovi's is the first book to assess Pier Paolo Pasolini's multidisciplinary production across a variety of media.

Drawing on theories of authorship and authority, queer theory, and theories of spectacle and performance, the book probes Pasolini's creation of an ever-shifting, reactive and rebellious authorial persona. Authorship For about years after his death no one seemed to doubt that Shakespeare wrote the works attributed to him.

However, in the latter part of the 18th cent. questions began to arise as to whether or not the historical William Shakespeare was indeed the author. Performing Authorship Self-Inscription and Corporeality in the Cinema This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence.

It is an illuminating analysis of films by Jean-Luc Godard, Woody. Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour. by Amanda Adams. Ashgate Series in Nineteenth-Century Transatlantic Studies. Share your thoughts Complete your review.

Tell readers what you thought by rating and reviewing this book. Rate it * You Rated it *Brand: Taylor And Francis. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into book is about the drama of creative processes in essay.

revisdv Works of the Performing Arts Chapter 00 | iv revised 09/29/ (B)(3) Editorial Authorship 30 (B)(4) Sound Recordings Containing Samples 30 (B)(5)30 Mashups (B)(6)30 Mixtapes Compilations of Preexisting Sound Recordings 31 (A) Registrable Compilations 31 (B) Unregistrable Compilations 31 Registration Issues.

Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour (Ashgate Series in Nineteenth-Century Transatlantic Studies) Adams’s book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include.

COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle.

Performing Authorship in Eighteenth-Century Periodicals by Manushag N. Powell embraces periodicals across the first two-thirds of the eighteenth century to argue that this mode of writing, packed with humor and verve, originates the figure of the mass-market author as a literary character.

Powell posits that, at the same time, periodicals harbor inescapable doubts as to Brand: Bucknell University Press. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression.

Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia Brand: Gian Maria Annovi. Free Online Library: Performing authorship in the celebrity sphere: Dickens and the reading tours.(Essay) by "Papers on Language & Literature"; Literature, writing, book reviews Languages and linguistics Authors Appreciation Public relations Works Oral reading Writers.

Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour. DOI link for Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour.

Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour book. Performing Authorship in the Nineteenth-Century Transatlantic Lecture by: 1. Ms. Powell’s book includes a generous introduction and five major chapters (which are longer than most readers will want).

Chapter 1, “Author and Eidolon,” lays out some of the central themes of the book, including violence (literal as well as fictional), transgressive sexuality, and playing with gender, mortality, and : George Justice.Buy Performing Authorship: Self-inscription and Corporeality in the Cinema (Tauris World Cinema Series) by Cecilia Sayad (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on eligible : Cecilia Sayad.